A story told with Adobe Spark
I can understand the problem with Lithium Industrial batteries (big ones) and I only once in my 74 years witnessed lithium batteries in a camera bag heat up and smoke in a wedding photographers camera bag while he stood at the counter in a camera store. His batteries heated up and did some bag damage.
However, this was caused by the fact that he was an idiot. There is a reason why camera companies in the past had plastic caps on all of their batteries so that contact of the battery terminals would not hit against the terminals of other batteries in the same spot in the camera bag. Safety was the issue but if the batteries were stored right then the problem would not have happened. I’ll say it again. The photographer was an idiot.
I have seen double A (AA) batteries in a camera bag heat up as well because they were stored loss and contacting the terminals of other batteries in the bag.
This is why companies like Thinktank as well as others make battery holders that keep the terminals away from each other.
Would it not be simpler for the FAA to issue instructions on how people should store these batteries? Of course, it would. Would there be less in air mishaps if the FAA enforced the number of hours a pilot can fly before they have to sleep in order to fly again? Of course, it would.
After conducting a series of safety tests, the FAA is recommending that all airlines ban cameras and other electronics with Lithium Ion batteries from checked baggage. The agency believe the risk of a catastrophic fire and explosion is too great.
If you are doing any kind of studio work you will want to look all of this information over.
https://www.youtube.com/watch?v=lg8y4LSpgFw Spekular is spectacular! Hmmm – a little over the top? Not really. I recently had the opportunity to put this new LED lighting system from Spiffy Gear to the test. Spiffy Gear are the folks that brought us the Light Blaster (buy link). Spekular is a modular lighting system that can take on all kinds of shapes depending on your needs and this can save you money and the time needed to pack and set-up light modifiers especially when you are working on location. Spekular comes as a kit of 4 LED sections. Each section is built with aluminum and
I have spent so much time teaching and judging photography over my many years and I have been privileged to meet and admire a great many photographer’s images. There have been times that a photographer has crossed my path and there was just something that made his or her work stand out above all the others.
I have never met Ms. Lurie but recently had the good fortune to view her personal website and her Smugmug websites and I was truly taken by the quality and the diversity of her images.
In way too many cases, even though a photographer may have incredible images it is important to note that all of the images are of the same type subjects. It may be landscape It may be wildlife or street photography, macro photography and so on but it all of the same genres.
What impressed me with Ms. Lurie is how diverse her work is, spanning the full spectrum of subject matter. Beyond that, her compositions and the ability to tell a story with her images only adds to the experience of viewing her work.
When photographer Jared Polin’s friend Arty was diagnosed with terminal cancer, Jared asked if he could tell his story in pictures. This is Arty’s photo story.
This is quite incredible. The photography, the video and the narration make for a true to life out standing story that many, too many have gone through. The photography skill and story telling talent shine throughout this video and I appreciate that Jared Polin shared.
I know how important it is to have as many photos as possible that speak to your life and the lives of those around you. If anything Jared’s story in pictures and words should serve as an example of just how important the images of life are not only in a digital form but in a printed form to be viewed for many years and remind us of things that have gone by. Memories should be preserved forever.
The one thing but not the only thing I learned about attending Northern Virginia Nature Vision show is that it is smart to sign up for lectures EARLY. Early means today, not tomorrow.
This particular lecture is being given by my old partner in photography education, Brian Zwit and I can tell you one thing for sure. It will be the best $30.00 you will put towards learning the ins and outs of black and white image processing.
Sign up today for Brian’s lecture It’s All About Tones: Black and White Landscapes | Nature Visions Photo Expo
And sign up for the one and only major photo show in Northern Va. – Nature Visions
Regardless of genre, black and white photography is about the basic building blocks of any photograph: tones, lines, textures, shapes, and forms. Join Brian to learn how you can advance your black and white landscape photography.
Lately I have been speaking with people from all walks of life who used to love photography and making pictures but for reasons that are not really clear, just stopped doing it.
What started the conversation was my little Cosyspeed Streetomatic Plus camera bag with a Manfrotto Pixi Evo table top tripod sticking up out of a side pocket. When I explained my passion for going minimalist they wanted to see what that meant. Then they began to talk about the photography they used to do.
Men, women, young, older than young told me that at one time they owned a camera and lenses, still owned a camera, film or digital and some even had spent time in darkroom or at desk top computers with their photography. Most said they had their phones, but really did not feel that a phone camera provided what a system camera like Olympus, Fuji, Sony, Nikon or Canon did. The one common denominator was that at one time they loved, loved their photography.
When I questioned why they had stopped most really weren’t sure but felt perhaps that other priorities in life such as career building became a dominant factor and certain things had to be side lined in order to grow in other areas.
On a personal note and I told them that I felt that it was sad that they had stopped recording the important moments of their lives, abandoned something they loved to do instead of trying to incorporate it not only in their lives but the lives of their friends, their families.
Not only was all of that left behind but too was a chance to expand, to grow their artistic capabilities and to share those capabilities with others.
I have spent a lifetime involved in many aspects of photography having started in my dad’s darkroom right up to today. My love for photography as a hobby and a profession spans a lot of years and I consider myself fortunate that my personal love of photography was enhanced and expanded by working in world of photography which fortunately did not diminish my personal photography endeavors.
As I told the folks who I have met, if you have side lined photography, for whatever the reason and have interest in coming back at any level, I am here to help or guide you along that path. So if I can be of any help please be sure to contact me.
Sometimes we create our own styles, but more often than not we start off by looking at other great photographers and teachers have done, apply their teaching to our vast warehouse of learning and hopefully have our own style or styles evolve from all of this.
One of my favorite ways of shooting for as long as I can remember was using negative space and using simplification to make a photograph with more impact by having less in it.
This excellent video talk directly to that I thought I would share it through my blog.
I hope you find this useful in your creative endeavors.
The site that this came from is here where there are short articles and superb examples covering composition.
My Friend Bill – Last Year He Left The Room And Broke My Heart – But He Is In My Thoughts A Lot And I Miss Him – I am not totally sure why I am writing this blog now but I am sure there is some great emotional need for me to talk about him once again.
Bill, like myself had a passion for everything photography and his love for Nikon Camera gear was surpassed even by people like me who worked for Nikon for so many years.
He loved to join me on Nikon in store demonstrations and Nikon schools as he just loved to talk to others who either shot Nikon or who he wanted desperately to convert to Nikon shooters. He was unrelenting in his passion for the brand and at times to his detriment. (I say that smiling)-
He would find no greater pleasure than sitting down with folks who he either knew or would come to know him forever and tell his tales of his life and his experiences and share is knowledge and wisdom about video and still photography with old friends and new ones as well as those who would be friends. He considered himself Nikon representative. And yes, that sometimes created confusion because I was the Nikon rep and after me there were a couple of other Nikon reps and to their benefit he was determined to help with his knowledge and enthusiasm. It made him happy and after all he was more of a loyalist to Nikon than most people I had ever known.
When I say he lived and breathed Nikon it’s not even close to an exaggeration. It is a truth beyond all truths and because he was that way I have to say that on the day his family and friends and co workers came together to celebrate his life, in a last good-bye, something was missing.
What was missing were all of the Nikon corporate people who knew Bill so extremely well and who Bill had helped in oh so many ways were sadly absent. Not only were they absent but not one acknowledged that Bill had left the room. Not a sigh, not a whimper, not a high-five as a thank you. NOTHING.
That saddens me and I just felt that I had to say something. Giving name, rank and social security number would not make a difference and after all the mindless, uncaring, self-absorbed son of bitches more than likely know who they are.
It is not that Bill and I always agreed and there were ups and downs but we were really true friends and cared for each other and in the end I only choose to remember the ups and what a dear friend and wonderful human being Bill was and is as he lives in my heart and mind.
I love you Bill.
What Happens When Your Camera Is The Same As Every Other Camera? An opinion piece
I have used a lot of different camera brands and overall they all produced very nice images. But the system that I finally wound up with after all my years of shooting with different cameras is the Fuji X system. If I was to look at images from my current Fuji X camera, the X pro 2, and other camera systems all intermixed in the same folder and dumped into the same software I would have a very hard time knowing what camera produced what images in that folder.
So what does that leave me with? It leaves me with a mirrorless camera system called “X” which is aesthetically very pleasing to look at and very comfortable to use having all kinds of dials and buttons for doing creative photographic stuff. But it also leaves me with the feeling that the images that came from the first X cameras like the X100, X10 and X Pro 1 were much more AESTHETICALLY (film like) (smooth) (sort of pastel) pleasing which was why I bought into newer generations of the X brand. It was not only the Jpeg files which are processed in camera but it was also the raw files.
This does not mean that the images out of the X’s today are not excellent because they are. It means that a certain quality that Fuji seemed to have master with their first X bodies has been replaced by something that any dSLR can produce.
So that leaves me with the aesthetic look and feel of the body and the prime lenses I use. And that will have to be enough I guess because at this stage of the game I have to admit that I am not disappointed in the image quality when it comes to resolution and dynamic range which is on a par with other cameras. But I am disappointed with the overall look of the images from an emotional point of view.
I have to ask how and why this has happened? I was led to believe that it was the different design of the Fuji sensor that made the difference in color and texture in the images but I guess that turns out not to be the case.
It’s not a deal breaker only because I no longer have the desire to break in a new system that for all practical purposes will give me the same image quality I am currently getting. But I do miss that aesthetic look of the images from the first early X cameras.
You will or maybe you already have reached a point when you settle on exactly what body or bodies you own and what lenses have risen above all others to be come your “kit.” Maybe they are zooms. Maybe they are primes. Maybe they are a combination of zooms and primes.
Let me take an educated guess that you either own three prime lenses. Or perhaps three zoom lenses. Or maybe a combination totaling three lenses of both primes and zooms.
While you have two bodies you more than likely will only carry one on you at any given moment and how you carry that one camera will be a personal favorite way. Maybe it is on a neck/shoulder strap. Maybe it is a sling across your chest strap. Perhaps it is a device like a Peak Design clip device that either fits on your belt or bag strap. Or it could be something as simple as a wrist strap.
All that is left now is what are you going to do when you go out for the day to walk through the woods, hang out on the streets, climb a nearby mountain, or simply interact with people you may know or for that matter who you may not know at all. Are you going to take your three lenses and one camera and two batteries, and two extra cards, and some lens cleaning stuff and pop all of that in one bag which could total in weight between 5.5 to 10.5 American pounds or 2.49476 to 4.76272 kilograms. Gee whiz I think I am going to carry kilograms because they numerically appear lighter than pounds.
This is where the word discipline comes in. I have spent a life time trying to discipline myself when it comes to what camera gear goes with me and what stays either at home, in the hotel or in the car trunk as I head out for a wonderful day of photography. I have grossly failed at disciplining myself and because of that I know what I must do. So here is a perfect case of “DO AS I SAY, NOT AS I DO.”
i have spent enough money on camera bags and straps to feed a small nation of light eaters. Most of those bags are now gone and if I check real quick I am sure I can take ownership of the five bags I still own and can honestly say that I use only two of them. The bags I no longer use are the Billingham (Big Dollar Bags) which I simply do not have the where with all to sell because they are just simply beautiful bags as well as functional in a camera bag way.
What I do use NOW, are two very nicely designed bags. One is the STREETOMATIC PLUS (+) from a company called Cosyspeed. The other is a bag I swore up and down I would no own and it is the Peak Design Every Day Sling.
i am not going to go into a real review about the bags, only because this is more about lightning your load and really taking with you what you will use. Whether it be just a stroll down some city street or a trail through a beautiful park, or more intense, a several mile hike through some rough forest or perhaps a full day traveling the city via local transportation to a variety of locations for image making.
Depending on what you do will determine the kind of gear you need and how to carry it. For my extended day out I am using the Peak Design Every Day Sling and for a simple excursion I use the Streetomatic plus.
The sling is great to work with. I keep the following in the sling bag, which by the way can go across my back, on my shoulder or right in front of my chest. In the bag is:
One Fuji X pro 2, a 50mm 2.0, 35mm 2.0 and 23mm 2.0. 2 batteries, 2 extra memory cards, a camera strap, two extension rings, cable release, a leatherman Juice knife. There is a Peak Design Clamp attached to outside of the bag to carry my camera at the ready and there is a balloon type pocket on the front that opens to store something has big as a large zoom (which I do not carry with this bag) or a water bottle, etc. The cinch straps for this expanding pocket also are long enough to attach a small tripod if needed to the bottom of the bag. With all of this, once it is on my body the weight is so well-distributed that I hardly know it is there.
For my mini excursions I use the Streetomatic plus. It fits nicely around my waist or across my chest and is virtually invisible. It is very comfortable and was designed with mirrorless cameras in mind. In this bag is the following. Fuji X pro 2, 18-55 zoom lens, 35mm 2.0, 2 batteries, two extra cards, Iphone 6 plus. It is a very small kit and a pleasure to carry.
Here are some videos.
PEAK DESIGN EVERY DAY SLING
COSYSPEED STREETOMATIC PLUS
Please do not turn the page, click through to another story because the word Cancer is in the title of this article because this is about a dignity that rarely ever gets recorded. I do not know anyone, any more who has lived their lives without either themselves or someone they know who has fought this battle.
I am not saying that I could every muster the mental or physical strength to do what this incredible photographer did, but my heart felt feelings go out to her and her family as a 74 year old man who has always treated photography as an art and even more so a documented history of my life and the lives of others.
I would not assume that this was easy. But it seems that she took the tools of her profession and mustered all her skills to tell a story that not only was about her family, her life, but so many others as well.
There is a whole range of feelings that happen with the delivery of bad news. In my case, like many others, knees lock, the heart speeds up and the hairs o
In light of Nikon’s announcements of a recall once again for lithium batteries that go back as far as 2012 it does not hurt to keep up to date with FAA regulations. Info on DPREVIEW
Batteries – These are FAA rules governing batteries on USA airlines from 2015. I do not believe too much has changed but it does not hurt to be reminded.
GOOD READ! by
A question was texted to me today. While I have my own opinion on how and when to use high iso for landscape photography, the author of this article really nails it in my opinion.
For landscape photography, most of the time, you’ll end up using your camera’s base ISO. That’s the power of a tripod; it lets you set long enough shutter speeds to capture a bright photo, even in dark environments at low ISO values. However, settings like this do not work for all images. Sometimes, depending upon the landscape, you’ll need to raise your ISO in order to capture a successful photograph. This article dives into the most common of those situations.
every so often everyone needs to move away from the norms of their lives and take a break – here is a break you should not miss
Every once in a while I use my computer for things that are not photography related and this video below happens to be one that my wife directed me to. I watched this very young and talented young lady and she absolutely mesmerized me.
In the end I not only watched this video but quite a few of her in other videos performing very diverse acts with very diverse characters and voices. I just could not stop watching and I have to say, she made my evening.
So stop looking at images for a while. Shut off the TV set and spend some time with this young lady. Not only should you watch this video but the others of her that get streamed on Youtube.
I cannot even begin to count the number of times I have smashed my camera and lens against something. I have had zoom lenses stop zooming, prime lenses get stuck on my camera, and even worse I have seen lens mounts bend and / or go out of alignment. All of this because I wanted to always have my camera and lens at the ready so I would not miss the shot.
Of course like most other people I had a camera bag or backpack and when the day started out the camera gear I wanted to shoot with for the day was safely tucked away until I got to where I wanted to go. It could have been the streets of Washington DC or a local forest like Prince William Park or Shenandoah National Park or sometimes even at a studio shoot. When I got to where I was going I would pull the camera and lens choice, sling the combination across my chest so I could easily grab them to get the shot. And there is where it stayed for the duration.
It was always without fail that as I hiked through the woods that my camera would slam against a tree. It was always without fail that while getting into my car the camera would be slammed on when I closed the car door. It was always without fail that as I walked the city street and decided to go into a store for a coffee that I would slam the camera into the door jamb. I knew better so why did I not do better. Having worked for Nikon I used to hear the stories told my pro photographers (photo journalists) who were running through the halls of congress or in the white house getting their great gear slammed into door jams and some even described the shock and awe of seeing their lenses in pieces lying on the floor next to them because the lens separated from the mount. These are real facts. Too often I got to see the end and expensive results. Impossible to repair lenses and expensive lens mount replacements. And let’s fave facts. Nikon cameras were built like tanks but most cameras today are not.
Over the years I have tried way too many camera bags and carry solutions. I have invested tons of cash on bags and straps of all types from a great many manufacturers but virtually none of them really provided me with the safety my expensive camera gear deserves while still giving me the ability to quickly get to my camera, get the shot and put the camera back in a place of relative safety. That is until I came across a not very well known company called Cosyspeed that was founded by a German entrepreneur named Thomas Ludwig.
Camslinger bags come in several shapes and forms but the overall concept is the same no matter which version of the bag you decide to purchase. I have the Streetomatic Pus which was designed with the street photographer in mind or for that matter the urban dwellers. The video is about a new bag that is coming to market in July.
The CAMSLINGER Outdoor is a camera bag designed for quick, one-handed access just like the Streetomatic. “You need just 1 hand & 1 second to open the bag and grab your cam. It’s almost as quick as a sling strap, but provides the safety of a bag against bumps and rain. This 1 hand/1 second concept makes the CAMSLINGER the fastest camera bag in the world. You can wear the CAMSLINGER Outdoor super comfy at the hip or as a sling bag over your shoulder. It fits all kinds of Mirrorless Cameras, mid-sized DSLRs and Superzooms.”
If you like to go hiking, climbing, cycling, motor biking, horseback riding or simply traveling. And you want to have your cam at the ready within a second, but safe against rain and bumps at the same time? Then the COSYSPEED CAMSLINGER Outdoor is without any doubt in my mind the perfect camera bag for you!
Put in your Mirrorless, mid-sized DSLR or Superzoom and hit the trail. The CAMSLINGER Outdoor is incredibly fast when it comes to getting out your camera and lens for the perfect shot you should never have to miss. Quick accessible, super comfy and super safe.
If you want all the details about this great carry method then click on this link. Link
What Happened To Turn Your Really Great Camera Into A Piece Of Crap – in your mind?
Actually more than likely not a darn thing
Before I even get started I shall admit to everyone that I too am a part of the problem and that there truly is a problem. Guilty. Myself and many others always want the shiniest and most advanced products being offered and can easily justify why they have to drop big bucks in order to be “ahead of the curve” what ever that curve may be,
I certainly understand why we all tend to think that newer is better. I understand that technological advances in camera sensors and computer technology in the cameras can make differences in performance, but I have to question just how much of a difference makes a difference in the overall photography that the majority of us do.
Just to be clear, I am not against purchasing the latest and greatest and I have friends who do just that. Perhaps if was still making 16×20 or larger prints like they do, which I used to do often, I would be overjoyed at owning a very high megapixel camera that would allow pulling details from a file for such larger prints much less painful. Perhaps if my personal images were very poorly shot (and they are not) and I needed to do major cropping and tonal corrections I would find higher megapixel a benefit. Or maybe I would need an incredibly high frame rate if I was a sports photographer or wildlife photographer or a photo journalist desiring to capture the most decisive moment of the action in the scene. This all speaks to very specific needs and to fulfill those important needs in many cases the technology advances in cameras for some are a must.
But for the majority of people involved in photography either as a profession or a hobby or for simply recording everyday moments of their lives it is my personal opinion that most technology is of no benefit to the final image and will not make a significant difference. That goes for all kinds of imaging devices whether they be a dSlr, mirrorless, compact, or phone. Perhaps one point of clarity is that the better the glass in front of the sensor the better the imaging sensor will be able to produce a more refined image.
I wrote above that I was guilty. In the past, but not anymore I was one of the great many people that had to have the newest and the greatest. It cost me and others a lot of money to keep up with the technology and perhaps when digital cameras first appeared as a consumer item there was a reason for that. I think the same was also true when it came to owning the latest and greatest computers. The more power the better. 🙂
So how did I get to the point of writing this blog article? I have reached a nice stage of life where what I own I consider sufficient to do the things photographically that i want to accomplish whether that be printing large, enhancing an image, or stopping action as it happens. Today I went for neighborhood walk. I strapped on my Cosyspeed Streetwalker plus + camera bag which hold my small Fuji Xt1 with an 18-55 zoom attached and a prime lens next to it, a couple of cards and a couple of batteries and my iPhone 6 plus. After walking a couple miles with one of my best friends, my Jack Russel named Ginger, and having shot about twenty images I uploaded the SD card to my computer and processed some of those images. I can honestly say that I am not able to see where these images are any better or worse than what I could shoot with my 24mp sensor camera (Fuji X pro 2).
I have three cameras that I work with. A Fuji X100s fixed lens camera (actually given to me recently), a 2014 Fuji Xt1 (16mp) and a Fuji X pro 2 (24mp) If there is a question in your mind as to why I kept the 16mp Xt-1 after buying the more advanced Fuji X pro 2 it was to have a back up body available should something go wrong with the Fuji X pro 2. Having a back up camera has been one of my “things” for as long as i can remember, and in this case also led me writing this article. There are megapixel as well as structural differences between the X Pro 2 and the Xt1 and the one that is most important to me is the articulating monitor on the Xt1 which was a feature left off of the X pro 2.
Had the X pro 2 never been introduced with the 24mp sensor I would not have missed it. Knowing what I know today, for my shooting and processing purposes i would have not traded up to the X Pro 2. I love the X pro 2 and hindsight is just that. The X Pro 2 remains my primary camera because I own it and the XT1 has actually resurfaced as a primary camera as well because it is terrific.
But what you have to think about before putting down big bucks for an updated camera body is whether or not it is necessary for your photography pursuits. If it just to make you feel all warm inside of having the latest and greatest then take a deep breath before performing the act. Maybe you would be better off with a better optic, a more advanced electronic flash unit, or maybe putting the cash towards a terrific photography workshop. If it not going to truly enhance your photography because it is more technically advanced then you probably can do without it.
Like many others who love photography, when something new, different, but not that different comes along the excitement level elevates and the must have buttons get pushed and only intense self control saves your relationships. In the case of medium format that I shot years ago when film was everywhere, the larger size negatives were pretty desirable.
But with Medium format digital, a photographer really has to think a lot more than just twice about the many thousands of dollars that a system would cost. I mean some folks could by a nice Harley, or small car for the same amount of money.
This opinion article from a pretty respected author really breaks down the why and why not of making a medium format decision. As much as I love my Fuji X system gear, and as much as all my buttons got pushed heavily with the introduction of the Fuji GFX medium format gear, common sense prevailed as well my budget and now I am even happier about that after reading this article.
But it is not just about Fuji medium format. It is also about all the others that are out there as well.
I hope you find the author’s article as enlightening as I did.
Recent medium format digital announcement has turned a lot of heads, and for good reason. However, some of us are less excited than others. Technical Editor Rishi Sanyal explains why he’s not quite convinced. Read more
If you love photography you will fall in love with this slide show of past photography masters. I hope you find it as inspiring as I did.
A truly wonderful slideshow in Ilias Kapa’s YT Channel This is a slideshow, with great photographs of the greatest photographers in history. Sample work from Bill Brandt, Ansel Adams, Julia M…
This article from DPREVIEW helps to break down the complex nature of electronic shutters and their interaction with sensors. For those who care this reference material can be very educational and explain some of the issues that affect your images both still and video.
Whether you’re syncing a flash, wondering why banding is appearing in your image or getting strange images from your camera’s silent shutter mode, the way your shutter works has a role to play. Here’s what happens when you press the shutter button. Read more
Flash Use Can Be A Daunting Thing To Learn – Here is a simple work through provided using FlashQ wireless remotes and any flash
I have been practicing photography on both a personal and professional level for over 50 years. Notice I said practicing. Each time I log into an educational piece presented by knowledgeable photo I learn something new, or get reminded of something I worked at a bunch of years ago. But one should never stop practicing, exploring and learning from others. I always can learn something pretty much every day and I worry about those who cannot. To often people carry an attitude that they know it all but you and I know that it is never the case.
So I hope you enjoy this video and learn perhaps just one thing that will make your life in photography more creative.
Always remember that your film camera or digital camera does not see the way you do and those great photographic instruments can always use your help.
Common sense essay – Good read – makes a point for both formats
I did not plan on writing a dedicated article on RAW vs JPEG. Why? I thought this ship had sailed long ago and the time of heated debates over which format
Source: RAW vs. JPEG: An Ultimate Guide
Sean Tucker Photography-One Camera and one focal length – A thoughtful short video about life made easy
I have been a very strong advocate of traveling light, being a minimalist and finding out just how much better your photography might be without a 20 pounds of heavy zooms on your back.
One of the most successful workshops my company gave was in Annapolis Maryland, usually on a Saturday or Sunday morning before sunrise and the students had the option of either using only one prime of their choice or a zoom lens of their choice which would have the zoom taped down at a focal length they preferred. So several hours of shooting a large variety of subjects with only one focal length was the challenge. The students came back with some incredible images but only after first grumbling about how they were to work.
Mr. Tucker talks about his experience of doing just this to shoot both video and stills with what he calls an older Canon 5dMarkII and one prime (50mm) lens.
I enjoyed his experience and I hope you do as well.
Sean Tucker Photography provides product photography, portrait photography, headshot photography, food photography, event photography, wedding photography, photo retouching and promotional videography to London and the UK.
This article is of course one persons opinion, take on post processing but I think it is well thought out and beneficial to those who do post process and take the heat for doing what they need to do to enhance an image within the range of reality.
I have to admit that quite a few years ago I held the opinion that making ANY changes to an image was not the right and ethical thing to do. My belief was based on people who alter an image to such a point that it leaves no real reference to what was originally captured. I still feel that way but there is nothing wrong with removing dust and perhaps a tree limb here and there. There is nothing wrong with boosting the color of a sunset, or the change the focal point of a scene by adding a vignette as long as the base capture remains pretty much the same.
The linked article below pretty much sums up how I feel about processing an image.
There will more than likely be those who continue to frown on your artistic choices but in the end if you are doing it right then you will not have changed the whole concept of the image you first recorded in your camera. That being the case I would tell your critics to move on.
Think about it. Why add spices to a good piece of meat before or after cooking. After all the meat did come spiced. Why add butter to a baked potato which did not grow with butter in it. Why add accessories to your computer or car instead of using them as they came to you? I am just saying. Enhancement is quite often a good thing.
Post-processing has become part of the trade for photographers. Whether it’s something as seemingly innocuous as tweaking the white-balance, or something m
Source: In Defense of Post-Processing
Great Article – Read it and be inspired
Way to often the world looks at photo journalism as a mans way of recording the world forgetting that there have been so many women photographers, historians, guardians of life who have made incredible contributions to the art and to the world.
I grew up in Toronto Canada but moved to NYC to go to College. I spent most of my youth studying and working in Film and Television production, including teaching in a graduate department. As I got older NY changed and I changed. After 15 years I made the difficult decision to jump ship and move to LA. That’s when I shifted from moving images to still. Best decision I’ve ever made. LA is my muse. When I’m not photographing stories for magazines I’m in the street shooting. I always have to be shooting. It’s my outlet and main form of communicating with the world. I’m also a member of the Full Frontal Collective.
The Print – They confront us esthetically and emotionally with wonderful memories and stories-They are there screaming look at me again.
This is a difficult subject. It shouldn’t be but for the fact that prints seem to be a very minute part of the photography process in this day and age. More and more people rely on some form of digital to see their images.
Images that other people make get shared through digital media devices such as pads, phones, computer monitors, and the like and it is pretty instantaneous. For some that is enough.
The stroke of a finger or mouse allows anyone today to rapidly cross over large amounts of images in a single press. Two seconds or less and they are on the way to the next image never lingering to study or imagine.
The amount of time is really a few seconds. That’s long enough to know that you saw a familiar person or place or maybe something close to unique in its presentation and you gathered all that up for a matter of seconds and then moved on. You will more than likely never refer back to those images. They will be stored digitally for however long digital storage is (no one really knows) and those memories will be forgotten as we move on to today and tomorrow.
I am seventy-four years old. My years in photography are extensive and like many others from my era, I can remember the family pulling out the big black albums when “family circles” got together. They were big heavy albums with thick black pages and had “corners” that pasted to the pages and pictures were inserted in the “corners.”
My uncles & cousins (all of us between 5 and 18 years of age) would carefully go from page to page, slowly, looking at pictures of the family and friends of the family dating back for so many years. Memories of the children, aunts and uncles, family friends, grand parents, their parents and each picture caused lingering looks once again offering up their stories that we had seen before and heard before.
There were plainly framed pictures on the wall from years past showing baby pictures, graduation pictures, and the like that were always there as constant reminders of our lives. So yes between albums, wall hanging, coffee tables, dressers, there were stories for us to be reminded of.
While recently preparing to downsize to smaller home, my wife and I began to go through lots of boxes that were in the basement. These boxes had traveled with me from New York to Ohio, then to Atlanta and finally Washington DC. I moved so much that some things never got unpacked.
In those boxes were slides, negatives, and prints of all sizes. There is a lot of really old stuff shot by my dad. Besides the fact that he was a part time professional photographer he was also anal about documenting our family and friends, relatives as well every day life around him. In some ways he could have been considered one form of a street photographer.
Instead of packing stuff, this great find had me sitting down on the cold basement floor going through images and sorting them and remembering years past from childhood, and on. Thank you dad once again for teaching me photography and showing me the value of the print on paper.
To clarify all of this before you begin to think I am a against digital media presentation, I AM NOT. I think all forms of presentation have their place and it is more than possible that some day digital presentation, without prints may become the only method of viewing your photography. But we are in the here and now so let’s get your really terrific images on to the wall or into albums.
I still feel that printing images brings out the true essence of the image.
Prints draw a person’s eye’s to an image and makes that person linger to study and admire what you have accomplished.
We look at images that are printed, differently than we look at images that are not. I find that I have a tendency to stop, and look for a much longer time at a print than I do an image on a tablet or phone. Prints endure. They stay in our homes and businesses as well as albums and require little effort for us to view them and study them. They confront us and insist that we do look at them more often and to delve into their meaning and the artists meaning.
Making a conscious effort to select images you want to print (because you just can’t print them all) makes you focus on those images that are most appealing to you.
Images that get printed and displayed carry greater meaning and are always going to open your mind to contemplate the moment the image was created.
This leaves us with decisions to make. Print or file digitally. If you do not care about your images and do not want them to have the ability to truly stir emotion and meaning then just leave them as cold ones and zeros that form the image that will be get the 2 second view from you and others. But if you would like your work to be recognized and be appreciated by others as well as yourself then you must consider making prints of those images that mean the most to you. Whether they are for hanging or becoming part of coffee table albums does not matter. What does matter is the ability to look upon them and remember things past and be warmed by their meaning.
Should you decide that making some prints and keeping the rest as digital information, then there are printing options available.
You can print your own images at home. There are printers available in all shapes and sizes. However, printing at home is time consuming and to get images to be correctly interpreted one should have the printer, computer, and screen properly calibrated. That is easy to do when you have a calibration tool like X-rite.
You could settle on a small and portable printer that makes just 4×6 prints virtually automatically or you could opt for one that makes murals. The small printer that I would recommend is the Epson PictureMate Charm Photo Printer. Test reviews indicate the best color and speed and cost per print.
However you could decide that you really want to become a print master and go for the larger Epson or Canon printers that are very capable of surpassing lots of the bigger professional labs.
If printing your own work is not for you and you want great results without spending hours learning, experimenting and ultimately printing then bring your images to a local camera store like District Camera in Burke Va. as well as many web based labs.
Sometimes it is well worth it not to invest in expensive printers and inks for the occasional special image.
Finally there are some excellent on line services. Mpix seems to be one of the more popular ones, but there are plenty for you to Google. The only problem with on line services is you do not have the local contact to discuss what you are trying to achieve.
In the end, just print some of your great images and make a conscious decision that while saving your digital images you should also be printing them for others to enjoy them as much as you had creating them. It is the best way to truly preserve your precious memories.
addendum: I shoot Fuji X cameras. Other folks shoot other brands. It does not matter which mirrorless or Dslr you use. They are all capable of producing prints of most any size you want. What is important is understanding image quality. Everything looks good on computers, phones and tablets, but pictures taken with tablets and phones simply do not bode well for printing a really great image. They look the phone, computer screen or tablet. So if you do not own a great Dslr or Mirrorless camera then you should consider one so you get the best of the best for printing your memories, your masterpieces
Another article of interest on this subject is HERE
Almost every year I have posted my own article about tick bites and mosquito bites. But everyone, including myself have a tendency to forget about the nasty ramifications of not remembering especially in our part of the country (Virginia, Maryland, West Virginia, etc..)
These nasty creatures can leave us pretty sick in some cases so best be prepared to prevent bites and how to deal with bites you may get.
This time I have posted what seems to be a pretty good web site to go to to learn more. DO NOT MAKE THE MISTAKE THINKING TICK BITES AND MOSQUITO BITES ARE NOT GOING TO HAPPEN TO YOU. They can happen in your own backyard.
Have a great spring and summer.
Read about tick bite prevention, and learn symptoms, signs, and treatment of tick bites. Find out about types of ticks, and learn how to remove a tick.
Mr. Fitzgerald all I can say is well written and to the point and I agree completely.
If you’ve been a long-time reader of my blog you’ll know that I’m a bit of a stickler for image quality. A lot of what I’ve written has been about maximising image quality and how to get the best possible results. For some of you, this may seem like an obvious thing to care about, and yet, for