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You Have To Give A Damn – Damn it

A very close and dear friend had posted what is below on Facebook and I decided to copy this part of the conversation because it is so important for all decent Americans too stand up and be counted in a protest to the Washington establishment that what Donald Trump and his supporters are turning our country into.

It has become the pits of hell for so many Americans and for those who are seeking refuge from places of hate. The sad part is that they have run from hate into more hate perpertrated by our President and his followers and the whole republican political establishment. If you care about your future and the future of your country then you must act NOW.

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Why don’t they go back and help fix the totally broken and crime infested places from which they came. Then come back and show us how . . . it is done. These places need your help badly, you can’t leave fast enough.’’

These remarks came not from some barstool conversation but the President of the United States. These comments are racist, white nationalist, xenophobic, and un-American. They are dangerous and immature. Our fore fathers allowed for foreign born citizens to be elected and govern, because they were foreign born, as was most of our country. Immigration, leaving poverty and oppression for a better life is deep in our soul as a country. (BTW 3 of these Congresswomen were born here, and 1 is a naturalized citizen)

What could be worse than this? Silence. Silence from the Republican Party that is deafening. I don’t care what your political persuasion is, this, THIS is immoral. And you can not rationalize or justify this away because you like some of what he is doing or you want to WIN. You may win, but we – all of us, will lose that which is most dear – our soul, our country and our democracy.

For the love of God, open your mouths, don’t defend, don’t rationalize, don’t normalize this behavior. IT IS RACIST! And if you allow it to happen, then I have the right to question whether you are too.

Everyone, please not only vote, but write and stand up in anyway you can. Write to Republicans that are in your state or district. Write to your democratic reps and senators as well, both at the state and federal level. They need to know and hear from others than his base. They need to know what they stand to lose or my real fear is he can win in 2020. I was someone who was not surprised he won in the last election and I am very concerned he can win again. Please, please, don’t be complacent!! This is too IMPORTANT.

I have always felt that an image, a single image must produce a emotional reaction. For me images done in black and white have always done that.

Of late I have been delving into trying to learn simple video through the use of my IPhone XR and my Fuji X pro 2. Because of that I watch videos done with this kind of gear and watch tutorials on how to edit.

Truthfully, I find still imaging a lot easier to do but of course I have done that all my long life.

This video, according to the artist was done with a Fuji Xt3, and was shot and edited in one day. All I can say is I am inspired by what I see.

www.youtube.com/watch

6 Influential Female Photojournalists from LIFE Magazine’s Heyday – Artsy

WOMEN,WOMEN,WOMEN. Do not ever forget that the creative talents of women and they are many, have been applied to photography before most of us were ever born and it for sure continues on in our lifetime and beyond. HURRAY TO WOMEN PHOTOGRAPHY PROFESSIONALS AND ARTISTS.

Out of Life’s 101 staff photographers from 1936–72, only 6 were women. Despite the endemic sexism they faced, they helped define modern photojournalism.
— Read on www.artsy.net/article/artsy-editorial-6-women-shaped-photojournalism-lifes-heyday

Thorsten Overgaard’s Photography Pages – The Story Behind That Picture 202 “What is Sharpness in Photography?”

Great article.  A few years ago I watched a video on how a Leica factory approaches the design of a lens.  Having come from the world of Nikon and always touting how “sharp” Nikkor optics have always been I was surprised at Leica’s approach.
Their approach was to go through the process of making a very sharp lens perhaps with the aid of computers and then in the end backing off the lens formula so that the lens was not 100 percent “sharp.”  After listening to the video I was sold on the fact, based on images I have always admired from Leica glass, the so called “Leica look.”
A friend of mine sent me this article from Thorsten Overgaard, a photographer that I truly admire, who explains the Leica look overall and it really hits the nail on the head.
It is well worth reading it.
I would love to purchase Mr. Overgaard’s books, but they are way out of my retired life’s budget.

Thorsten Overgaard Official Homepage Since 1996 – Thorsten von Overgaard is a Danish writer and photographer, specializing in portrait photography and documentary photography, known for writings about photography and as an educator and photo compeition judge. For specific photography needs worldwide, contact Thorsten Overgaard via e-mail. Some photos are available as signed prints and limited editions via galleries or online.

— Read on www.overgaard.dk/the-story-behind-that-picture-0202_gb.html

Somethings must be seen to loved and appreciated-

This was sent to me by my friend Mike, who always sends me great things to view and it is about an 83 year old street photographer whose passion is street photography and life as it happens. As he says photography is for his soul and he has had another job to sustain him.

I hope you enjoy this as much as did and do.

www.youtube.com/watch

Apple’s Approach To Photography

It almost seems like Apple and other Mobile Phone manufacturers but most certainly Apple’s IPhone team  figured out how to make their in phone camera and camera app understood by their users.

Phone cameras and their supporting softwares have come a very long way in a very short time frame and as an original nay sayer have to admit that I am truly enjoying to convenience of having a great camera in my pocket all the time to capture everyday moments as they happen, instantly and in the spur of the moment.

Take a look at some of the educational  material Apple supplies. Here.

In the next couple of months I am going to be using the IPhone XR primarily and different raw processing software to create images of every day life around me.  Stand by.

For Some Reason It Seems The Contributions Of Women In Photography From Years Past Are Overlooked

I have been fortunate in my various careers in photography to been honored to work with incredible women photographers and came across this article which you should take the time to read and learn from.

Women Photographers

This article speaks to the accomplishments of female photographers through history but lest we forget there are thousands and thousands of women photographers in our midst today.

The Reasoning Behind Using Raw Data Files To Process Digital Images

Excellent explanation of raw and jpeg files. Nik bhatt (1) who is the creator of “Raw Power” and was an essential player at Apple in regards to imaging, not once mentioned his software which is a raw processor and jpeg processor for Macintosh computers and Ios devices. I have been using this program since it hit the market place because it afford continuity between the devices I use to process my image files. The programs have both been adding important processing features and DAM capability in a relatively short period of time.

What has remained consistent however is the incredible image processing that the program is capable producing in a very precise yet simplified manner.

I love this program on my Ipad Pro 10.5 and really like the fact that it is running on the Mac and Ios platforms with exactly the same controls and capability.

I do use Capture One Fuji Pro for tethering and processing in my studio but that that does not replace what I use “Raw Power” for. It is a creative, elegant, accurate and a delight to use.

It is a very inexpensive processor but would be well worth the investment at a much higher price.

READ THE ARTICLE HERE

(1)”Nik Bhatt spent 14 years at Apple, first as a Senior Director of Engineering on the Aperture and iPhoto teams. Later he served as the CTO of the Photo Apps group, working with the Core Image and RAW teams before founding his own company, Gentlemen Coders.

His first app, RAW Power for Mac, built on his knowledge of Apple’s Photos and iCloud frameworks to provide a robust RAW editing workflow as a Photos for Mac extension and a standalone app. RAW Power for iOS brings all of the features of the Mac version and more to your iPhone and iPad.

Nik Bhatt spent 14 years at Apple, first as a Senior Director of Engineering on the Aperture and iPhoto teams. Later he served as the CTO of the Photo Apps group, working with the Core Image and RAW teams before founding his own company, Gentlemen Coders.

His first app, RAW Power for Mac, built on his knowledge of Apple’s Photos and iCloud frameworks to provide a robust RAW editing workflow as a Photos for Mac extension and a standalone app. RAW Power for iOS brings all of the features of the Mac version and more to your iPhone and iPad.”

Photography – The Journey Never Really Ends – Chapter One

I just finished writing way too many words and I have deleted every one of them.  While I reference a journey, I found that I had written hundreds of words about my journey in photography from the time I was five years old.  That is really more than anyone needs to know.

What you should gather from this blog article is that I have been involved in photography for a  long time and in that very long period which is about 70 years I have worked as a professional freelance photographer, worked for wholesale camera companies such as Nikon and Berkey Marketing (long gone), worked retail, taught photography, and did a stint as a military photographer in the United States Coast Guard.

One might think as I approach my 76th birthday that I would be pretty much done with all things about photography but that is not the case.  I am as passionate about the art of photography, and the storytelling that photography provides as I was when my dad put my first camera in my hands.  My dad was a professional photographer at one time in his life.

I have been fortunate to work with some extraordinary photographers, used some of the most wonderful photography gear and had the pleasure of passing on my knowledge and adventures to those who had a desire to learn more than they already know.

Photographers know what they know and do what they do quite well, but in reality, I have never met a photographer who knew everything.  The reason for that is simple.  As photographers, we tend to move towards a specific type of photography and that might be landscape, portraits, street, industrial, etc.  While the rules of dealing with light remain consistent,  how a photographer gets from point A to point B with lighting varies quite a bit.

For years, having worked for Nikon and being with Nikon when they first introduced their incredible flash system I came to rely on that flash system and camera metering to virtually handle all my lighting needs pretty much, automatically.  I had gone from loving ambient light for many things and manual flash for other things and found myself using more auto flash control to manipulate lighting for my images.

When I talk about a journey never really ending I feel that in time photographers can and should revisIt things they have not used or done for a long time and photographers who have stuck to a favorite way of shooting and never learned beyond that favorite way of shooting should open their minds to learning new things. Sometimes, we  do just that because certain things happen in life that might cause us to adjust how we deal with our photography.

That is what happened to me. Back injuries and age wound up taking its toll and I found myself somewhat limited in doing the more adventurous types of photography I loved and suddenly, even though I carried a camera bag with a minimal amount of gear all the time, I was not reaching for it. I was not reaching for it because the shot I wanted to take required more than I could do physically to capture it. What to do?

I decided that there was no way I was not going to produce images, create “art” or tell a story and if working outside was too limiting for me then I would move inside. I set up a studio in a bedroom that was 10 x 10 x 7.5 feet, purchased some inexpensive Godox and Flashpoint studio lighting and Glow lighting modifiers, and spent literally hours watching educational studio lighting Youtube videos. I practiced daily, step by step what I was learning. I learned a lot from the instructors on the Adorama educational channel. They were Gavin Hoey and Daniel Norton.

What you hopefully gather from this first chapter is that there should virtually be nothing that stops you from doing some form of what you like and nothing that would want to make you stop learning something new every day.

Chapter two coming soon. The Studio

 

 

 

 

 

 

Not About A Particular Brand – But An Overall Reasoning About All Our Gear Choices

This is a very good video from a professional photographer that is worth listening too.  Try to put aside one’s own brand loyalties and come to understand it is not what about what you own that determines how good you are as a photographer.  It is not about switching but really about what works for the photographer as opposed to what impression your gear leaves.

 

Raw Power by Gentlemen Coders – Evolved To A Level Of Perfection

I know I write about a lot of different softwares and honestly quite a few of them are pretty darn good.  Some are not quite so good.  I can write about them because I own them or subscribe to them and I do that because I have the time to do that which a lot of other wonderful folks do not.  So while I find almost everything I use helpful in furthering the look of my raw and / or Jpeg images, every once in a while one program will stand out as exceptional.

What makes a program or app exceptional in my mind is the quality it brings to an image and how simple it works to achieve that quality.  While some programs are the perverbial kitchen sink, others are meat and potatoes and truthfully working with the down to earth meat and potatoe software and app without feeling I have to dive into all the multitude of effects and layers which usually result in less than desirable image quality or image looks.  However that does not mean I do not mean that I shall not use features of other programs once I have established a really good base image.

But for the everyday meat and potatoe processing of an image I now have one program that fits the bill.  It lets me make incredible adjustments that bring me to a finished product quickly, simply, and elegantly without spending needless hours.

That product as I am sure you can tell my the title of this blog post is Raw Power and I have watched its development for over a year now for both my Apple Macintosh and Apple IPad 10.5 and have to say that right now, today, Nik Bhatt, formerly the developer of Apple Aperture has announced the birth of version 2.0

The additions he has added to an already incredible processing engine or way beyond expectations and has now made this program one of the easiest to use, most powerful raw and other format processor at the top of the image processing game.

Just to be clear I have no business relationship with Gentlemen Coders or Nik Bhatt or for that matter even a personal relationship.  I am simply a customer of the company and have taken the time to use and watch and enjoy the development of this software.

O

Gentlemen Coders Logo

RAW Power 2.0 for iOS and Mac Now Available

Edit on Mac, continue on iOS. Same adjustments, same exceptional RAW processing.
On Mac, view multiple parts of your disk at the same time with the new tabbed file browser. Edit multiple images at the same time too!
Presets come to iOS, along with five new adjustments for both Mac and iOS. New space-saving design on iOS allows you to collapse and reorder adjustments to make the most of your screen.
On iOS, work with multiple images at once. Apply presets and adjustments, revert your edits, or make high quality JPEG previews for RAWs.
On Mac, you can also batch apply presets or adjustments. In addition, export multiple images with custom size and naming options.

New RAW Power 2.0:

  • Free update. iOS includes a new in-app purchase for some of the new adjustments.
  • Demo videos of the 2.0 features on YouTube
  • Tons of other improvements including:
    • Improved sharing on iOS to the Photos app
    • Additional Metadata on Mac including a map for images with GPS
    • Full Dark Look on macOS Mojave
Learn more on our website

 

 

Portrait exhibit casts light on women’s underrecognized military service – The Washington Post

Grounded by injuries, an Air Force combat photographer turns her lens on fellow veterans.
— Read on www.washingtonpost.com/local/social-issues/portrait-exhibit-casts-light-on-womens-underrecognized-military-service/2018/11/18/f6d50d5e-e9e9-11e8-a939-9469f1166f9d_story.html

Celebrate women every day. Remember and admire their contributions to the world we live in and learn everything you can about too many unrecognized achievements.

She Was A Great And Perfect Example On Fighting To Live A Life

This was Calise, our beautiful Calico Cat.  She was about 21 years old and she arrived at my wife’s parents house when she was about 6 months old on Halloween.  As candy was being handed out to the neighborhood kids she was on the front steps with them but no one claimed her so she was instantly adopted by my in-laws, who have saved cats and dogs from danger for years.  Calise immediately became the Alpha cat, taking control of the other cats and dogs.

She had medical problems like diabetes and she got insulin twice a day for years and she had debilitating arthritis in her back legs and hips but she was a trooper and a wonderful example of doing everything to live her life.  She managed to work through all of her problems with the goal of bringing happiness to all of those who were fortunate enough to engage her.  When my father in law had passed away we adopted their cats including Calise.

Just the day before she had managed to summon the strength to come out to the living room where she got into her little pink bed that had her favorite toy in it and eventually made her way back to the bedroom where she stayed.  She had a whole bedroom to herself.

We did what we could to make her last days comfortable realizing that her time was near.  She had placed herself a little bit under a bed in her room and there she stayed. Ramona covered her with a small blanket to keep her warm.  Our Jack Russel, Ginger had crawled under the bed to be with her and I laid on the floor nearby letting her know I was there.  When she passed Ginger gave out a low cry and moan and stayed with her for quite a while.

All of us, Ramona, Ginger and I will miss this superstar.  We love you Calise and now you are with Ramona’s parents and free from all your ills.

Creative Camera Tethering With The New Alien Skin X4 Software

If you have ever thought about tethering your camera to your computer and it seemed like a difficult process, especially with Adobe and other programs, then you need to look at these videos.  You may question why you would want to tether and have your images come up in your software and you may think it is only for people doing portrait shoots but that is not correct.  It makes a great tool for doing in-house product shoots, in-house artful shoots, and with Alien Skin X4 you can also shoot in several different presets at the same time so you can see what creative film look works best for your images.  It is not just for Fuji as it will work for almost all cameras.  Check it out on Alien Skins website below.

 Website.

Alien Skin X4 was recently released and has a great many features that should appeal to very creative photographers and yes even those who are not so creative.  The best thing you can do is go directly to their website if you want to learn more and even download a 30-day trial.

Is it a viable alternative to the popular subscription only Lightroom CC Classic.  Yes, it is and it is not a subscription which is really nice.  It has layers, folders, collections, tons of presets and filters with what many have said and I agree, the best film presets ever produced. Tons of them.

Take so time to learn something new by downloading their trial copy. RIGHT HERE.

 

 

RAW Files: Digital Manifestations of the Emperor’s New Clothes

A battle of sorts is raging throughout the photography communities. Jpeg Vs Raw files as a final step is what the battle is about.

Raw files, I think by now, are known for containing a lot more data than a Jpeg file and to extract that data special software such as Luminar, Aurora, On1 Photo Raw, Alien Skin, now X4, and of course Adobe Lightroom. The data can be manipulated into whatever vision you choose. Whatever you do to get the image you want will not hurt the data in anyway.

Jpeg files are baked in. The camera software takes care of everything needed to give us an image and in most cases a very acceptable image that can be used with virtually no manipulation. In reality you do not want to manipulate Jpeg too much because it will degrade the data in the image.

Fujifilm X cameras happen to produce exceptional Jpeg files and it can do that with a variety of alterable film simulations for a variety of different film looks. They are pretty darn good. What I like is the fact that I can load a Jpeg file into most softwares and save that Jpeg as a preset to preserve the look the camera gave it with a film simulation and then apply that preset to the normally flat Raw file. It works and really makes final processing a lot easier. My favorite software for doing that is Alien Skin and Luminar 2018, soon to be 2019.

In this unique explanation of what they are and how RAW files work, see how they are the equivalent of the Emperor’s New Clothes,
— Read on digital-photography-school.com/raw-files-digital-manifestations-emperors-new-clothes/

AND IT IS FALL – AGAIN

Every year people with all sorts of cameras having waited for one of the most wonderfully colorful and crisp seasons rush out into the world to create some spectacular images. While I will more than likely do the same this year, I also wanted to take a look back at lots of images to give myself the inspiration to get my butt out there once again on the chance that there is something going to happen that I have not seen before. Today I use Fuji X camera gear but over the years I have worked with several different camera systems.  Most of the images in this gallery were taken with Fuji cameras but there are some that were shot with Nikon, Pentax and Olympus.  I have never used a camera system that I did not like.  They have all been great pieces of technology and have made my photographic endeavors very pleasurable.  Today I travel as light as possible and own a Fuji X pro 2 camera and three prime lenses. 23mm,35mm and 50m, all 2.0 lenses.  The whole system is light, compact, and weather sealed, and on any given day my total package to go out with is no more than 6 pounds total and that includes the aforementioned gear, 4 batteries, 2 extra cards, cleaning stuff, cable release.  I may throw a flash in my pocket should I need a touch more light. 🙂 and there is always a small lightweight tripod in the trunk of my car. The same goes for software.  Software today is greatly improved over what was available many years ago and while the packages offer pretty much the same basic controls there are some that provide a lot more creative control and it is not unusual for a photographer to work with several softwares to create the look they want to achieve.  For the most part I cannot tell you what was processed with what and unless I look at my Exif data I couild not tell you what camera or lens I used. Today my software includes an Adobe subscription which I may stop but maybe not.  Then there are three creative packages. One is the Skylum Luminar. Another is Alein Skin X3, and a third, but not used often is Skylum Aurora Hdr. I use Adobe subscription that includes Photoshop CC, Lightroom Classic CC, Lightroom CC Cloud based, and Lightroom Mobile CC for the Ipad Pro.  The only reason I use it is because it is the only software company that provides a complete “eco” system.  What does that mean?  It means that if I am working on my Ipad Pro and processing images, everything I do will be saved to the Adobe Creative Cloud.  Because of that I can go to my office and launch Lightroom CC or Lightroom Classic and the images will sync to those applications for further use or data collection.  Of course it also works in reverse.  Process on my computer in my office and open up my Ipad pro and launch the Lightroom Mobile app and those images will sync to my Ipad Pro.  Very convenient.  And it is possible to tell Lightroom Classic to bring down images from the Adobe cloud and have them actually store on the Ipad Pro just in case I am going to be in a place where there is zero WiFi. Whew.  It’s a lot.  You are also locked in to the Adobe library which is not my favorite data storage option.  if other software companies could provide apps and syncing capability I would probably kiss Adobe goodbye.

NIK PHOTOGRAPHY PLUG-INS NOW ADVANCED BY DXO SOFTWARE – HURRAY

Let’s take a walk down memory lane.

A long time ago, at least in digital software terms, a company called NIK introduced a revolutionary set of Plug-ins that would work with Adobe products such a Photoshop, Elements, and the like.  These plug-ins would open up creative opportunities to the masses allowing for specific adjustment to parts of an image as opposed to a whole image, much like advanced Photoshop users were doing with “brushes.”  While you could by individual plug-ins in the Nik group, the overall total package was about $500.00.  To own the whole package you had to be a pretty serous image processer.  The most popular were Silver Efex for black and white work (exceptional).  Color Efex (Outstanding) and Viveza (that any real photographer could not live without).  And, some of this capability was built into Nikon Capture Softwae and Nikon called it UPOINT.

But like so many other things in the digital world and the photography world, Google, who desperately wanted another program that Nik had created called Snapseed, decided to buy the NIK company.  Once in their hands they lowered the price of NIK plugins to $150.00 but you had to buy the whole suite.  Still that price was a far cry from the original NIK price.  But before long Google lowered the price to ZERO and you guessed it, it was the end of any future development and would lead to the product being discontinued.  Another Google FU.

Then a few months ago it was announced that DXO had bought the rights to the program including the patent  to and the code and recently released a new and cleaner 64bit version of the Plug ins for $69.00.  There is a trial version which I tried and then bought it.

Go Take A Look At It Here

I have been watching some newly created live webinars and all I can say is that for all the years I used it in my work I never realized that I only partook in about 40 percent of the actual features that are available.  It is my understanding that the live webinars will be available as videos in a few weeks.  In the meantime you might want to look at some educational material on YouTube.

As many of my readers know I have been messing around (really learning) lots of different softwares over the past couple of years and have written a lot about what I liked and did not like.  My current, but not perfect program is Alien Skin X3 because it has so many creative alternatives built in and yes I can control click my way right into the Nik Plugins as well.  Other programs like Lightroom, Photoshop, Elements, Capture One, all make complete use of Nik.  But the most versatile program because of how it works with smart layers is Photoshop when it comes to using Nik.  Nik can also be used as stand alone applications.

Now, it is important to know that Nik does not recognize raw files, at least not yet.  When using host software like Adobe, the image will be sent to Nik as a Tiff file and once processed through it will go back to the host as a finished Tiff file.  If you use Nik stand alone then you need to open a saved Tiff file to work on.

I can only say that if you want to enhance your images with selective edits this is a great and simplified way to go.

Jane Lurie Photography – Jane’s Lens

Professional photographer based in San Francisco covering Travel, Landscapes, Street, Nature, Architecture, Portrait, Black and White, Photography Tutorials.
— Read on janeluriephotography.wordpress.com/

When given the opportunity I am going to joyfully present the incredible work of other photographers.

I have been an admirer of Jane’s work since I was taken to her web site. She is a very inspiring artist with an incredible eye who is constantly providing me and others with images that tell a story in a single blink.

Please take the time to look at her work on her site.

I hope you enjoy.

Who Are You As A Photographer?

How much time have you given to developing a particular style, a look that is all yours when it comes to your images.

Do you have a unique way of framing and capturing an image?  Do you have a digital processing formula that will be solely yours so that when someone looks at your unsigned photograph they will know it was done by you?

If you have evolved as a photographer and developed all of this uniqueness then kudos to you.  If you have not, why not?  What is holding you back?

developing a shooting style comes with time and while it may seem that your style looks like someone else’s, it is not.  It is your style.  It is the way you see, frame, meter, expose what appears on your LCD or in your viewfinder.

Developing a processing style will require experimentation over time just like it did for film photographers who had to learn the best way to process their film, what chemistry to use for the film, what chemistry to use for the print and what paper to put in the chemistry and let’s not forget how an image was burned and dodged to get to the final latent image.  But while the materials have changed for the majority of us, and the darkroom has been replaced by the software on computers and tablets and the processing trays have been done in by inkjet printers the final results will be the same.

The big difference however is in the software.  Computers, tablets and software have opened up an enormous range of creative possibilities through presents, color grading, brushes and gradients and so much more that will allow anyone the opportunity to create an individual look and or style.

So if you are looking for something that will make YOU unique and recognizable as an individual as opposed to being a clone of another photographer then it is going to be important that you choose a SOFTWARE that will give you that opportunity.  There are options out there but the two I have locked on are Alien Skin X3 and Luminar, with Alien Skin X3 being the one that tops the list.

I know I have written about other software some of which do an excellent job.  But none of them offered the diversification that Alien Skin X3 does.  Alien Skin started  as a plug-in for Adobe many years ago and was very popular among creative professionals.  What it primarily offered was over 500 film simulations and styles that in the digital age offered photographers highly accurate renditions of the different film types and grain structures that photographers had come to love over the years.  But that was then and here we are, now.

Alien Skin X3 represents the culmination over the last couple of years on the part of the company to provide a highly accurate and creative raw processor for Windows and Mac that includes its own digital assets management that utilizes the operating systems own file system, produces  xmp files that ride along in the same folders as the original images.   It still has over 500 film presets, overlays, layers, outstanding color control, and on and on and on.

With all of the presets, which are really starting points,  you can modify them, combine them, so they achieve a final look you are happy and comfortable with and guess what, that look becomes your look because you can save everything you did as a new preset which belongs only to you.

It is not a secret that I use Adobe Lightroom CC, Classic, and mobile.  It is  not because I like the way Adobe handles raw files and it is not because of the Adobe Library module that I really hate but it is because of Adobe’s creative cloud which allows me to sync images from my desktop to my IPad Pro.  Adobe simply put has the best Eco system out there.  But as far as being a main tool to process my images just is not the case.  And it is not a secret that I have used a multitude of raw processors in my search for what works best for me and my Fuji X trans images.  Alien Skin simply put provides me with the complete set of tools and creative artful extras that bring me to a style and look and especially a place that I am happy with.

I am not telling you to buy it, but you would be smart to go for their free trial to see if it can fit into a more creative workflow for you.

 

 

 

Bad Backs, Bad Necks, Bad Shoulders Are Not A Joke And Are More Than Likely The Fault Of Every One Of Us

I recently wrote a blog about my bad back coupled with the aging process, all of which can make what used to be very enjoyable days out in the world taking pictures a painful and creatively limiting experience in my world today.

Below is a link to that article if you need to revisit it or perhaps read it for the first time.

BAD BACK ARTICLE

Back injuries and the ever lasting pain that they can cause are extremely prevalent in a particular group of people.  They are called photographers.

Photographers are known for carrying big and heavy gear, and in the past few years more and more have moved to smaller and lighter mirrorless cameras but even with that there is still a tendency for photographers to carry more gear than is actually needed. I attribute this to these great photographers having an inert fear that they will miss the shot of a lifetime if they do not pack everything they own. They won’t but they just have to learn that.

Sadly that does not negate the fact that even with smaller and lighter gear photographers still tend to carry more than they will ever need and worse, they carry the gear the wrong way. Over one shoulder can lead to all kinds of back and shoulder problems. Wearing a backpack at the wrong position on your back will lead to shoulder and lumbar issues.  Sling bags are okay alternatives and they fall between the backpack and shoulder bag. But over loading a properly designed sling bag can be as bad as a shoulder bag or back pack. Ultimately the goal, beyond getting a great image, is to be able to avoid injury and be comfortable enough to spend a whole day out without stressing your body and fighting your carry method.

Not enough attention is paid to the part of the body that can carry weight properly distributed that does not impact the neck, spine or shoulders and that is a bag that can fit around the waist and sit on a hip.  This kind of bag means that a photographer who wants to be able to go out for day and not have his or her creativity dumbed down by back and or shoulder pain must make the decisions that will make that happen.  Those decisions involve selecting the best means of carrying gear and learning to get along with less gear.

In reality most photographers of all levels who go out for a day of shooting whether enthusiast or professional and carry tonnage of gear only wind up shooting with a camera and two zoom lenses.  In most cases while the zooms are practical, one mid range zoom can be replaced by a couple of 2.0 prime lenses.  I have worked with a great many overloaded pros and I have run photography workshops where students carried 25 to 40 pounds of gear and most of that gear never saw the light of day.

Where is all of this going.  There is a bag that fits comfortably around the waist and is designed to sit on the hip of the shooter.  So while the waist belt does the job of holding the package, the actually package is flared out and made to sit right on the hip so that the weight is comfortably distributed. It is my go to bag and it is the only camera bag I can use because my neck, spine, and rotator cup is a mess, painful and takes great days and makes them crappy days. But this bag gets me out of the house and on the road for hours of pleasurable photography.

You have read my articles on this before, or at least I am going to assume you have so one more time, just for you and your body parts.

The outstanding design of the Camslinger line of bags requires just a few things. One is your promise to yourself to choose one or two small lenses and one body with the understanding that this gear can capture almost everything you want. The second thing is your decision to get the Camslinger bag. My favorite is the outdoor version because it is weather proof, and the most versatile. Why is number two so important? Firstly, if you are young and somehow have avoided body damage that gives you chronic pain, then this is the time to have the right bag so that does not happen. But if you have worn out different body parts in your shoulders, spine and neck and find yourself limited and uncomfortable like shooting like you used to then the camslinger line is going to get you back out there. Do yourself a favor and order one of these bags. You won’t be sorry. I can wear this bag for hours on end and not even know it is around my waist. Considering how much pain I am usually in, that is a miracle in itself. What’s in it? Fuji X pro 2 body with a 35mmn 2.0 lens mounted. 23mm 2.0 and 50mm 2.0 lenses. 2 batteries, 3 moist lens cleaner packs, cable release, and 2 extension tubes. A complete kit for a days worth of shooting. It weighs 4.6 pounds.  I have a close lady friend who is using the Cosyspeed Outdoor bag with a non mirror less Canon system with a Rebel and a 24mm to 120mm zoom lens, and accessories and weighs in at 6.5 pounds.

One of the hardest things I ever did was to become a minimalist. I had to get over the need to take everything I owned in cameras and lenses with me on any given shoot, and that really took a while to do. But once I did force myself to do that I found that my photography started becoming more creative again. It became a case of less is more. I keep a small tripod and a bag of small accessories like filters in the trunk of my car just in case. I wear a a ScottVest which handles my keys and wallet and an IPad Pro and cables. That particular vest is designed to deal with electronics on the go.

Just to be clear, I have no business relationship with Cosyspeed, the company that manufactures the Camslinger Waist packs. I just happen to love their exceptionally well made and functional products that have allowed me to once again enjoy my photography.

THE CAMSLINGER OUTDOOR STORY………

And just as a side note, one other minimalist product is the Platypod Ultra which gives me a great camera stabilization platform for those times when I want to either get into a picture or otherwise steady the camera and lens when slow shutter speeds are called for.

I add the Playpod accessory kit and a ball head with a 12 pound capacity in a small belt bag and you would be amazed at how versatile the little set up is.  You cannot always replace a nice travel tripod, but I’ll be damned if I won’t try, and I have found enough situations where it was easy to replace a full tripod with the Platypod.  They also make a pro version which is designed to hold up to about a 70-200 2.8 zoom lens and a body like a Nikon D810.

Working with Different Focal Lengths for Macro Photography

Interesting and informative article on choosing the right focal length for your macro photography.  In the past my favorite macro lens was the 150mm macro from Sigma, but using Fuji X eliminates Sigma.  However, Fuji does have a screaming 80mm macro. I am just sayin’  because I have a birthday coming up.

The article does not mention close up lenses like Canon superb closeup screw in lenses for your tele lenses and it does not mention extension tubes which allow for getting closer with short prime and short zoom lenses.

But all in all a very good read.

Which lens you choose to get for macro photography is quite important. In this article, you’ll see the difference that focal length makes when doing close-up work.

Source: Working with Different Focal Lengths for Macro Photography